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Varsha Priyadarshini will be back weaving magic on the silver screen with ‘Nimki

Bhubaneswar;5/5/18; . After a year gap Varsha Priyadarshini will be back weaving magic on the silver screen with ‘Nimki – Nimpur Ru Naveen Nivas’

Written and directed by Susant Mani, the film is about the journey of a girl from a village to the Naveen Nivas ,Bhubaneswar. While Prem Anand has scored the music, the dialogues have been penned by Dillip Choudhury.Not revealing much about the storyline, Varsha said, “This film is different from what I have done so far. Having been in the industry for more than a decade and played a variety of roles, I feel it is time to concentrate on women-centric movies.”

While the film will go on floors soon, Varsha is confident about the concept and director Mani’s ability to make the film stand out among others. The release date of the film is yet to be decided.

Since her on screen debut in 2013 ‘Ae Jugara Krushna Sudama’, Varsha has had a successful stint in the industry. She tied the nuptial knot with her reel hero Anubhav  Mohanty in 2014. The romantic couple has given many hits like ‘Balunga Toka’, ‘Hata Dhari Chalutha’ ‘Gapa Helebi Sata’, ‘Matric Fail’ and ‘Something Something’, among others. While actresses hesitate to shed their glamorous looks, she dared to play a girl, struggling with obesity, in ‘Chhati Tale Ding Dong’ released in 2016.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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