Home » International » In The Indian Panorama Section meet The Directors of Non-Feature Film Organized 
The Director Ajay Kurane of the film BALUTA, Director Lipika Singh Darai of the film THE WATERFALL, Director Rima Das of the Assemese film VILLAGE ROCKSTARS and Director Anik Dutta of the Bengali film MEGHNAD BADH RAHASYA, at the ‘Indian Panorama-Meet the Directors’, Press Conference, during the 48th International Film Festival of India (IFFI-2017), in Panaji, Goa on November 22, 2017.

In The Indian Panorama Section meet The Directors of Non-Feature Film Organized 


Goa:22/11/17:In the International Film Festival of India in Indian Panorama section ‘Meet – the Directors of Non-Feature Films’ was organized today. Shri Ajay Kurane, Director Baluta (Marathi), Anik Dutta, Director Meghnadbod Rohosyo (Bengali), Rima Das, Director, Village Rock stars (Assamese), Lipika Sing/h Darai, The Waterfall (English) interacted with the media./


Rima Das, who directed Village Rock Stars, shared her experience about the film. The film is about the children in villages without any resources but they dream high. Though they are out of resources they celebrate their life. “Mumbai experience helped a lot to get the story on screen’ said, Rima Das. The story of the film revolves around the Dhunu, 10 year old girl who lives in remote part of Assam amidst raging depravation. A free spirit, she firmly believes in the power of her grand dreams. Her widowed mother struggles to make ends meet but, despite the poverty, Dhunu is determined to form a rock band with the boys in her village and wants to be the proud owner of a guitar. She remains undeterred in the face of gender discrimination, the lack of support from the boys and a society that threatens to pull her back.

Anik Dutta, Director of Benglai non-feature film Meghnadbod Rohosyo said that it is not easy exploring the complex urban relationships through non-feature films. He said that there is a good future of non-feature films in India. The story of Meghnadbod Rohosyo is about a Chingi a mute girl. Her father an Indian army officer loses his life while on duty. Chingi lives with her mother and grandfather nurturing vivid memories of her father, his teachings and the gift of a tri-colored pinwheel that she spends most of her time with. When the statue installed in her father’s memory is demolished, Chingi takes it upon herself to restore her family’s pride. However, a shocking revelation awaits the family.

Marathi non-feature film Baluta is about barter system. Ajay Kurane, Director said that the story inspired from WhatsApp Message. Women empowerment is what everybody talks but when it comes to reality it is totally different, said Ajay Kurane. In rural Maharashtra it is never imagined that woman being a barber. Despite all odds Shantabai, accepts the traditional job to meet the both ends. Shantabai, a young woman, mother of four daughters, loses her husband and is on her own without family support. Baluta is her tale of struggle, bravery and most of all, the self-belief of a woman who defies all odds and proves to the world that stereotype is just another word. Rima Das, Director, Village Rock stars (Assamese), Lipika Singh Darai(odisha), The Waterfall (English) interacted with the media.


About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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