Home » National » 10 new heritage sites including Puri Shree Jagannath Temple commence special sanitation action as the Swachh Iconic Places project
Jagannath-Temple

10 new heritage sites including Puri Shree Jagannath Temple commence special sanitation action as the Swachh Iconic Places project

 

A two day National Consultation of Swachh Iconic Places (SIP), an initiative of Ministry of Drinking Water and Sanitation under Swachh Bharat Mission began today at New Delhi. Representatives from 20 Iconic Sites including central and State officials, representatives of iconic places and Corporate and development partners including World Bank joined the consultations.

Initiated as a project to implement Prime Minister’s vision to take iconic places and their surroundings to higher standards of Swachhata, so that all visitors benefit and also take away home the message of cleanliness, Swachh Iconic Places is now in its second phase.

10 New Iconic sites identified under Phase II are: 1. Gangotri, 2. Yamunotri,
3. Mahakaleshwar Temple, 4. Charminar, 5. Church and Convent of St. Francis of Assissi, 6. Kalady, 7. Gomateshwar, 8. Baijnath Dham, 9. Gaya Tirth and 10. Somnath temple. These phase II SIPs will join 10 iconic places where special Swachhata work is under implementation for about a year. These Phase I iconic places are: 1. Ajmer Sharif Dargah
2. CST Mumbai  3. Golden Temple, 4. Kamakhya Temple, 5. Maikarnika Ghat, 6. Meenakshi Temple, 7. Shri Mata Vaishno Devi, 8. Shree Jagannath Temple, 9. The Taj Mahal and 10. Tirupati Temple.

SIP is a truly collaborative project with three other central Ministries: Urban Development, Culture, Tourism; all levels in the concerned States and more importantly, Public Sector and Private companies as partners. The CSR partners for both the phases are:
1. Hindustan Zinc India Ltd. 2. SBI Foundation 3. HPCL 4. Oil India Ltd 5. Northern Coal Field Ltd 6. BPCL 7.  NALCO 8. IOCL 9. GAIL 10. ONGC 11. NHPC 12. NTPC 13. Airport Authority of India 14. Power Grid Corporation (PGCIL) 15. IDEA Cellular 16. Hindustan Aeronautics (HAL).

In his opening address, Secretary, MDWS, Shri Parameswaran Iyer, said that SIP is a unique initiative and is aligned with the PM’s vision of achieving high standard of cleanliness and easy access to sanitation at iconic places of historic, religious and tourist importance. He highlighted the importance of collaboration between multiple agencies, which has accelerated the implementation of action plans.

On this occasion, Secretary, MDWS released a special Compendium and brochure on SIP giving information and progress in the project.

Director General (Special Projects), Swachh Bharat Mission, Shri Akshay Rout presented the SIP status report of previous year and highlighted the key initiatives launched by the Phase I sites towards improving the cleanliness and sanitation facilities.

Phase I iconic sites reported notable initiatives taken by them like improved sewage infrastructure, drainage facilities, installation of Sewage Treatment Plant (STP), improved sanitation facilities, water vending machines (Water ATMs), Solid and Liquid Waste Management (SLWM) set-up, structure restoration, roads maintenance, Lighting arrangements, beautification of parks, better transport facilities in approach and access areas besides at the main sites.

The Phase II Iconic sites formulated their Action Plans based on their site needs in consultation with experts and based on learning from phase I implementation.

 

 

 

 

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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