Home » National » Anupam Kher appointed as Chairman, FTII Pune succeeds Gajendra Chauhan.

Anupam Kher appointed as Chairman, FTII Pune succeeds Gajendra Chauhan.

 

Mumbai:11/10/17: Anupam Kher, veteran cine star, has been appointed as Chairman of Film and Television Institute of India (FTII), Pune.  Shri Kher succeeds Shri Gajendra Chauhan.

Shri Kher who has appeared in over 500 films is a recipient of the Padma Shri in 2004 and the Padma Bhushan in 2016 for his contribution in the field of cinema and arts. The veteran star has won many national and international awards including the ‘Filmfare Award for Best Performance in a Comic Role’ five times. He has appeared in acclaimed international films such as the 2002 Golden Globe nominated Bend It Like Beckham, 2007 Golden Lion award-winning Lust, Caution and 2013 Oscar-winning Silver Linings Playbook. He has appeared in more than 100 plays and has also authored the book ‘The Best Thing about You Is You’.

Earlier he served as the Chairman of the Central Board of Film Certification (CBFC) and was the Director of National School of Drama from 2001 to 2004. He is also an alumnus of National School of Drama (1978 batch).n

FTII is an autonomous body under the Ministry of Information and Broadcasting and is regarded as a center of excellence across the world. Films made by FTII’s students have enjoyed excellent receptions in festivals in India and abroad and have won National and International awards.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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