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Five features of the new Rs 50 note to be issued soon

Newdelhi:19/8/17:The Reserve Bank of India said it would shortly issue the new Rs 50 notes. All bank notes in the denomination of Rs 50 issued by the RBI in the earlier series will continue to be legal tender. The new Rs 50 notes will have the motif of Hampi and a chariot on the reverse. The RBI says this would represent the heritage of the country.

Five features of the new Rs 50 note:

  • The new Rs 50 note will be in a dimension of 66 mm x 135 mm.
  • It will have a see through register with denominational numeral 50 on the front side of the note which means that the small design printed both on the front (hollow) and back (filled up) of the note in the middle of the vertical band next to the watermark, will have an accurate back-to-back registration. The design will appear as one when seen against the light.
  • The year of printing would be mentioned on the back-left of the note and it will also have a Swachh Bharat logo with slogan.All the banknotes in the denomination of Rs 50 in the earlier series will continue to be legal tender.
  • On the front side, denominational numeral 50 will also be written in Devnagari along with a portrait of Mahatma Gandhi at the centre.
  • The Ashoka Pillar emblem will be printed on the front-right side. The guarantee clause, Governor’s signature with a promise clause and the RBI emblem will feature towards the right of Mahatma Gandhi’s portrait.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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