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Dangal enters 100 crore club in first weekend

Mumbai: (ONT bureau) :27/12 ‘Dangal’ indeed made a massive noise from the very day of its release on December 23 and in just one weekend, it entered the 100 crore club.
Witnessing the biggest single day ever in India with a collection of Rs. 42.35 crore Nett. on day three total weekend number stands at Rs. 106.95 crore Nett. and Rs. 148.45 crore (Global Box Office Collection) including Rs. 1.07 crore from Tamil and Telugu on day three.
According to trade analyst Taran Adarsh, “Aamir Khan and Rs. 100 cr Club…1. #Ghajini – 2008 2. #3Idiots – 2009 3. #Dhoom3 – 2013 4. #PK – 2014 5. #Dangal – 2016 India biz.”
In North America, the cumulative box office reported so far is close to USD four million with some screens yet to report, making it the highest grossing weekend for any film in the region. Sunday box office is estimated to close around USD 1.2 million!
The cumulative box office reported so far in Gulf is AED 10.2 million / USD 2.78 million with some screens yet to report. Sunday box office reported so far is AED 1.76 million / USD 479 thousand!
The cumulative box office reported in UK is GBP 639 K / USD 1.02 million with five locations yet to report. Sunday GBO reported so far is GBP 92 K / USD 146 K with only 25 screens open on Sunday on account of Christmas!

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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